Few bands understand adversity and the fickle nature of the metal scene better than Overkill, and no band has matched their level of stubborn, forceful determination that has carried them through and beyond a scene that all but died in the Ď90s and that by all accounts should have dragged Overkill down with it. But Overkill is like the stubborn fat kid, his chubby face all smeared with melted chocolate, whose parents canít get to leave the candy store. Sure, theyíve had 20+ years of thrashing dominance and theyíve gorged themselves sick, but godammit, itís still candy! And so Overkill will continue on as they always have, oblivious to mainstream expectations with feet firmly planted and forging always against the grain, defiant to the end, ďlaughing in a wind storm and blowing all the cornstalks down.Ē
BLITZ: Hey Brian, Bobby Blitz.
KNAC.COM: How the fuck are ya, man?
BLITZ: Good! I have to push off in a few minutes; I have a soundcheck in like 15. Can we accomplish it?
KNAC.COM: Sure. Let me know if we get there.
BLITZ: Alright, great.
KNAC.COM: Alright, letís kick it off here. No band really likes to have line-up changes, but Iím sure that anyone that has had to go through them has to consider Overkill as being the best at being able to move on. You always seem to find these bad-ass guitar duos. How do you accomplish that?
BLITZ: Well, I think itís part of our attitude, and the idea is that you can perceive a change to be negative or you can perceive it to be positive, and in our case finding guys with the right attitude has always helped this band. I mean, you bring in a guy like Derek Tailer, whoís the last guy to enter this band -- heís got a real high level of hunger, a real high level of energy, and I think what it does is it becomes contagious to the other members. I mean, Iíve been here for 20 years professionally and a few years before that when we were a cover band. So I think I kinda raise up to Derekís level, I donít think he raises up to mine; and I think that really helps the band. Itís not that we wanna go through the changes, but the other side of it is it can be perceived as good or bad, and have those results depending on how we perceive that to be.
KNAC.COM: Since you and D.D. [Verni, bassist] are the core you write most of the music, [do the line up changes] impact your writing process?
BLITZ: Um, I think it does, but I think thereís a little bit of a control issue here if Iím honest -- quite honestly it goes through D.D. and myself, the other guys have interpretation. Dave [Linsk] so much as being the most musical person this band has ever seen, weíll all change vocal lines according to what heís writing on guitar for each song. But I think that weíre always looking for the elements that weíve never had before. For instance, on Bloodletting, Dave kinda broke out and brought the guitar back for us; it showed itself again on Killbox 13, and now again on RELIXIV. The new element on this record is, letís say, Derekís voice. So yes, it impacts the songwriting -- you have to look at it and say, ďWhatís in the new box of tools here?Ē Well, we found out that Derekís just got this great voice, and songs like ďLoveĒ Derek sings onÖ ďPlay The Ace,Ē etcetera; itís all through the whole record. So it did impact it, but I think with positive results.
KNAC.COM: In a recent interview with Metal Dreams you talked about the overall heaviness of RELIXIV and you called it, ďa kind of Ďbest ofí without having to reduce yourself to a Ďbest ofí status,Ē which seems pretty apt -- depending on what song you hear it invokes different faces of Overkill throughout the years. Did you intend the album to have this retrospective, encompassing kind of sound?
BLITZ: It really kind of formed itself. I mean, quite obviously we take elements from the past and use them, and I donít even know if thatís conscious or it just happens to be a part of us. Songs like ďPound of FleshĒ are really cut from another time, but the idea is to give it a fresh face. As the record kind of forms itself -- of course with our input, but you donít realize that youíre just totally forming this record -- and before itís done it shows up as a completed project, and I look back on it and say, ďHoly shit -- this is what was and what is,Ē and thatís how it kinda comes out as a Ďbest ofí. But I think itís more of a Ďbest ofí with regard to characteristic of the band, but it wasnít a preconceived notion -- it just so happened to show itself that way.
KNAC.COM: Your first EP, Power in BlackÖ is that ever going to see the light of day again?
BLITZ: Well, theyíve been bootlegging that on cd in Europe for 15 years now! [Laughs] I donít know what the label is. Will it [be released]? I donít know. I mean, itís one of the things weíve kind of kept sacred with the songs that are on it, with regard to even its production from that time. We havenít discussed it, but as of right now, no.
KNAC.COM: Any further progress with your plans for the Feel the Fire DVD?
BLITZ: Yeah, weíre going toÖ I guess youíve been reading the interviews Iíve been doing, huh? [Laughs]
KNAC.COM: [Laughs] Yes, I have.
BLITZ: Weíve already booked a show in Cologne, Germany for November. Weíre gonna follow that up probably with a show in New York, where Feel the Fire will be performed in itís entirety, then there will also be a second set at each of these shows; weíll come out and do a set of older classics. Classikill. [Laughs] Yes, it is happening. Actually, our agent in Europe is working with Siemens right now -- a communications giant over there -- to have it simulcast over the web for the Cologne show. So yes, itís gonna happen.
KNAC.COM: 20+ years later, 14+ albums, thousands of showsÖ youíve definitely paid more than your share of dues. What keeps you wanting to make music when you roll out of bed everyday?
BLITZ: Well, you know -- I mean, this isnít hard. [Laughs] A lot of people think it is. Sure, it takes a lot of time and thereís a lot of attention to detail, but the other end of it is that itís a pretty wild ride! [Laughs] I mean, you have to look at the up side. When I hear people complain about people doing this for a living I go, ďOh, shut up.Ē [Laughs] ďGo work in a box factory. Go pump gas or be an accountant. Thatís hard.Ē The idea I think is that itís just something I like to do. Iím only speaking for myself, but I see it in the other guys, too. I mean, Dave was born to play; D.D. was born to write and perform; Tim likes to be behind those drums; Derek Tailer has another career but comes out on the road. Itís pretty intense when you get guys that have been around for a long period of time who still take it for the value that they saw at the beginning. And thatís not really hard to do -- Iím not saying, ďOh, itís been a struggle, itís had its ups and downs.Ē Of course it has. But the other end of it is: Look what weíre doing! [Laughs] You wanna bitch about this, you bitch about a free lunch? [Laughs] But itís been a good ride, I canít complain. The whole thing will always be considered an up in retrospect for me if and when it ever stops.
KNAC.COM: A lot of people -- and I donít see why -- but they consider I Hear BlackÖit makes a lot of least favorite lists as far as Overkill albums. How do you feel about that album?
BLITZ: Well, I feel the record was unfocused. Iíve given this answer in the past about it: itís not my un-favorite record. I think the production is a little bit soft, but I think the songwriting is really good on it and it went in directions weíd really never gone before, at least not to that extent, and I think itís one of the records weíve taken the biggest chances on. In my opinion I think thatís a good thing. In regard to [the record being] unfocused, it wasÖ prior to that it was D.D. and I and Bobby Gustafson who wrote, and then for Horrorscope it was D.D. and I, then for I Hear Black it was D.D. and I, Rob Cannavino and I, Merrit Gant and I. So it became kind of unfocused and I was the only common link with each song. So I think itís really about-- sure, weíre writing as a band but using all those individual ideas to try to bring one cohesive vibe to the record -- thatís probably where it lacked; but I donít think of it as on the worst list by any means.
KNAC.COM: You guys have a European Festival Fetish Ė- whatís up with that? You guys are all over the festival circuit.
BLITZ: Itís like porn, man. [Laughs] Fetish? [Laughs] Uh, thereís nothing better. I always tell people when Iím speaking to them about European festivals: ďYou gotta go.Ē Itís worth the ticket -- itís worth the 100 Euros it takes to get in for 3 days of music and camp with a bunch of people you donít know and drink beers and barbeque bratwursts. Itís really that intense. Where are you going to expose yourself to this amount of people in an hourís time set? I mean, itís just awesome to be a part of these things. Itís not the Ozzfest; itís something totally different. Thereís really a feeling of community around it. This year I think weíre doing 10 or 12 of them; some of them are huge, some of them are smaller, but all of them have a great feeling and great impact with regard to who we expose ourselves to and how the band feels about doing them. Top of the line production always, too.
KNAC.COM: D.D. has done his stuff with Bronx Casket Company, Dave, Derek and Tim just had Speed/Kill\Hate come out; whatís kept you from branching out and throwing something out there?
BLITZ: I donít know, uhÖ narrowness? [Laughs] I donít really know; Iíve done some stuff in the past with people but it never came to fruition, it never surfaced as a release. I did it for fun; I didnít do it for any other reason. I said, ďIf weíre gonna do this on another level, itís gotta be done at a high level.Ē We decided just to drop it from that point. We may do it in the future -- it was myself and Chris Caffrey from Savatage. Weíre good friends, and he wanted to do some heavier stuff and wanted to put a signature voice on it, so I wrote half of it with him, he wrote the music and I wrote the melodies; it came out pretty cool -- it was like a thrashy Priest meets Pink Floyd, it was really weird with all sorts of different stuff in it. But with regard to what I do, if youíve read the interviews Iíve said this: Itís a full time job. Itís all the time; everyday some degree of my time is spent on something with Overkill. Out on tour its more than 8 hours a day, writing is more than 8 hours a day, recording is more than 8 hours a day; so itís really kind of a full time thing, and I actually like to have time for other things, whether it be living or whether it be other business ventures.
KNAC.COM: Any career regrets? Missed opportunities? Something youíd like to go back and do differently, or do you take it as it is?
BLITZ: Well, you have to take it as it is. I mean, thatís just my personality. I do remember back when Cowboys From Hell was breaking we were going to do a tour with Pantera, and it was enough for us just to get by, and then they said, ďYou gotta open for us in New York, too.Ē The money was really ridiculous and [New York] had always been our big payday; I mean, we could do three shows in New York and weíre all fit for the year! [Laughs] So we said, ďFuck you!Ē [Laughs]Ö I think we should have taken that tour! [Laughs]
KNAC.COM: [Laughs] In retrospect.
BLITZ: In retrospect.
KNAC.COM: And speaking of those old days, how do you weigh in on the Anthrax and Testament old school line-up reunions going on?
BLITZ: Well, what I do give both bands credit for isÖ Hold on just a momentÖ is this for radio?
BLITZ: [Calls to someone] Soundcheck? [pause] Ok. Just had to check to see how we were doing. I got some time.
BLITZ: Uh, I give them credit for hanging around all those years and still releasing. I donít really look at it as a reunion as much as a continuation of what theyíre doing with the original flavorings on it. So yeah, Iím interested in seeing them -- Iím actually going to see both bands the night before Dynamo opens in Holland. Weíre doing a show in Belgium and then Iím going to run up there by car and do a couple songs with an Overkill cover band and then see Testament and Anthrax play.
KNAC.COM: For Killbox 13, you guys didnít make it to the West CoastÖ Are we gonna get to see you guys this time around?
BLITZ: It is booked.
BLITZ: Yup, September. I think we go up to Calgary and then make our way all the way down to San Diego and then across to Texas. Itís done, itís in Pollstar[.com] already.
KNAC.COM: Okay, throw in one more here: A lot of metal musicians ironically donít listen to a lot of metal, they seem to get their fill playing it. You guys, on the other hand, are as much fans as you are musicians. What do you attribute that to?
BLITZ: Uh, simplicity. [Laughs] I donít think we over-think too many things. I think weíre really aboutÖ weíre action vs. reaction people; I think what turns us on is what we play as much as what we listen to. I occasionally delve out into other things, but everybody else on the bus are all metalheads. [Laughs] Itís like, it goes from a Slayer cd to a Shadowís Fall cd to a Motorhead cd, old Priest, the new Priest, new bands, and thatís what you hear throughout the tour. I suppose itís just that you are what you are, so it always kind of worked for us. I donít think we tried to present ourselves any different; itís like you said, weíre fans as much as performers in this or a band in this. So itís just a simple process, and I think it leaves it uncomplicated so therefore we can approach it just the way we know how, and thatís blood and guts.