|
![]() |
| |||||||||
MAGAZINE - DOWNLOADS - CONTESTS - STORE | ||||||||||
![]() |
![]() ![]() | ||||||||||||||
![]() L.A. GUNS Black Diamonds ![]() By George Dionne, Podcaster Monday, April 10, 2023 @ 10:31 AM ![]()
“You Betray” is a simplistic homage to ‘70s LED ZEPPELIN. Big on echo-y vocals and fuzzy riffs. “Wrong About You” continues this simplistic approach, but feels more like a demo than the finished product. Clean arpeggios lead the way on the trippy ballad “Diamonds”. The song crawls along to a sad ‘whoa whoa’ section, before being put out of its misery.
“Babylon” will have you scratching your head a little bit. Is this L.A. GUNS or the ALICE COOPER band? If it were Alice Cooper, there’d be a little more swagger to it. “Shame” and “Shattered Glass” are void of the classic L.A. GUNS energy and fervor.
There’s a decent vocal melody line that matches the guitar lick on “Got It Wrong”. L.A. GUNS ignites a bit of a spark of vitality with “Lowlife”. The chorus of “Crying” is cringe-worthy. The track harkens back more to the trippy ‘60s than the ‘70s sound L.A. GUNS has been going for here.
I keep asking myself, is this the final product? Is this the final product?! The production is demo quality at best. The songs on Black Diamonds are forgettable, deprived of energy, or any kind of emotion.
Tracii & Phil’s ‘comeback’ album The Missing Piece (2017) was everything you could ask for and expect from key members of L.A. GUNS. However, with each album that followed, the original factory paint seemed to fade more and more.
Black Diamonds is a lazy and bland album that sounds like two guys trying to slog through the rest of their record contract.
2.0 Out Of 5.0
Please log in to view RANTS
|
![]() |
![]()
![]() ![]() |